Knoll - The licensed manufacturer of the Barcelona Chair.
Knoll - The licensed manufacturer of the Barcelona Chair.
The tremendous variety of materials and manufacturing processes summarized here - is
indicative of the large number of
companies around the world who manufacture chairs in this style.
Each of them offers a chair that is a little different from the others - although most are
barely distinguishable.
Among these manufacturers however there is one that stands out. Knoll is the only
manufacturer who can legally call their product 'the Mies Van Der Rohe Barcelona Chair'.
Knoll licensed this design, directly from Mies Van Der Rohe in the 1950's.
It is however worth noting that the co designer of the Barcelona and Brno designes - Lily
Reich was not consulted or recompensed in any way - when this licensing agreement was made.
And as a result it might be considered morrally questionable even though it is legally
binding.
More recently Knoll was faced with another challenge; the legal protection offered by
copyright laws is weak; many classic designs have fallen into the public domain, making
ownership rights murky. So on Oct 28, 2004 Knoll obtained formal registered trademark status
for several Mies van der Rohe's 1929 furniture designs.
Knoll continues to pay royalties on their sales to the Museum of Modern Art - who today own
the design rights.
In legal terms - Knoll can sue someone for using the name 'Barcelona Chair', (a precedent
set by the Herman Milller Vs Palizetti case of 1998). But is unlikely to win a case concerning
use of the design itself, (trade dress). In the Herman Miller Vs Palizetti case the judges
refused to even hear evidence in defense of trade dress rights, probably because there are
simply too many chairs in this style on the market and it would not be feasible to find, much
less sue, the manufacturers of them all.
How does the Knoll Barcelona Chair differ from that of the other manufacturers?
In truth the primary distinction is the brand name - The certificate of 'authenticity' and
the Mies signature stamped on the underside of the Knoll frame. (a recent addition, not present in earlier Knoll Barcelona Chairs). In addition purchasing from
Knoll, does ensure that the Museum of Modern Art is supported by your purchase. Buying the
chair with the Knoll brand name also guarantees a consistency of quality, and a level of
accountability that is very reassuring, although not necessarily exceptional relative to the
best generic / unlicensed manufacturers.
That said it is important to ask oneself what exactly 'authentic' or 'certified' actually
means in this context. Certainly the original designers are not overseeing the production,
even 'Florence Knoll' who purchased the design from Mies is no longer overseeing production.
The quality of the Knoll chair is nothing like the 'original' produced by Mies and Lilly for
the Barcelona fair - most changes were made for the better, but does this make it inauthentic
?
Many changes were made by Knoll themselves. Today the Knoll's Barcelona chair
specifications are barely comparable to 'the original'.
New materials have become available - such as stainless steel,
Old materials have proved inappropriate for large scale production - such as the pig skin
leather, and feather filled cushions.
and new manufacturing facilities have proved to be better able to produce a consistently high
quality product at reasonable cost -
Production having begun in Germany initially - it is now available from the US, a large number
of Italian manufacturers, Argentinian and Brazilian, Chinese and Korean, Turkish, Vietnamese,
Romanian and Russian sources to name but a few.
In terms of the materials and manufacturing processes used - the Knoll chair can be
described by its components and workmanship, its price and its availability just as the others
can. The empirical comparison of these elements (stainless steel grade, leather / dye type,
stitching, cushion fill, price etc) will leed some purchasers to the Knoll product, and other
purchasers to the products of other manufacturers. There is no right and wrong here only fact,
relative comparison and subjective conclusions.
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